Friday, November 1, 2013

Captain Phillips (2013)


In "Captain Phillips", Tom Hanks proves to the world that he is still a commodity, and deserves not only the accolades he has already received, but any that may be coming his way as well. This is his finest performance since 2000's "Castaway". Paul Greengrass should also be given great praise for the tense, evenly-paced thriller he has laid out. His handling of the story of ship Captain being taken by Somali Pirates is as expertly made as his 2006 docu-drama "United 93". Once the action is kicked off, it keeps your heart rate up, and your breath in short supply. Barry Ackroyd's cinematography is gritty and in the moment, while Henry Jackman's score is perfect companion to the action on screen. Though, with all of these professionals on board, the one thing that stood out to me was the performance of rookie actor Barkhad Abdi, playing the leader of the Pirate crew. He plays Muse with a stunning bravado undercut with tortured sadness, and actually manages to outshine Hanks in much of the film. This is seriously not a film you should miss.

Grade: A
3D: N/A
Easter Egg: No


Starring: Tom Hanks, Barkhad Abdi
Director: Paul Greengrass
Writer(s): Billy Ray - Book: Richard Phillips & Stephen Talty
RT: 134 min
Rating: PG-13 for sustained intense sequences of menace, some violence with bloody images, and for substance use 

Saturday, October 5, 2013

Gravity (2013)

Spaced Out
This entire review could be an open love letter to Emmanuel Lubezki and his ability to capture the stunning beauty of everything he puts on the screen. This could also be a drooling fan letter to Alfonso Cuaron for constantly creating jaw dropping and breath stealing moments of cinema that stick in your imagination for days after you have seen them. Here he has directed and, with his son Jonas, written a masterpiece of a film that never manages to ease up on the tension. "Gravity" is more than just a spectacular feat in aesthetic film making, it is also a harrowing survival tale told in the void of space. Fortunately for the audience, the final frontier has never seemed so dangerous, or looked so vastly captivating, as it does in this movie.

Cuaron made me believe in two things with this offering: 1. He, like only three directors before him, made me believe in the power, and the story telling ability, of the current 3D craze. It came off as more than just a gimmick, and helped immerse the viewer into the vast emptiness that envelops its characters, as well as create a depth to the things that surround them: the Earth, the space stations, the onslaught of debris that constantly threatens their lives. Much like Scorsese's "Hugo", or Ang Lee's "Life of Pi", "Gravity" uses the technology to advance the story, rather than to make a quick dollar from it.

2. Sandra Bullock. I have never been a fan of Sandra Bullock. Her acting has always been bland, and she never looks natural or comfortable on film. The latter of those two complaints actually worked to her advantage in this film. I can say, without hyperbole, that she gives the best performance of her career in this film (despite winning an Oscar for "The Blind Side"), and it completely makes up for this summer's disaster "The Heat" (though Melissa McCarthy has yet to make up for it). Bullock is directed to pure perfection in this role. Everything is on the line, and she conveys every bit of fear, desperation, and loneliness with great aplomb.

This is truly the type of film that comes along once in a generation, and you would be foolish not to see it the way it is meant to be seen.

Grade: A+
3D: YES!
Easter Egg: No


Starring: Sandra Bullock, George Clooney
Director: Alfonso Cuaron
Writer(s): Alfonso Cuaron & Jonas Cuaron
RT: 90 min
Rating: PG-13 for intense perilous sequences, some disturbing images and brief strong language

Monday, September 30, 2013

Top 15 Must-See Oscar Bait Films

I'm not a big-shot Hollywood Insider (SURPRISE!), so when I did my 15 Must-See List Back at the beginning of the year, I missed some movies. Some of these films would have certainly made it on the list, so I thought I would make a new list for you to peruse. Here are some of the films that will be released in the next three months that look like the kind of films that the Academy just loves to throw awards at, and, coincidentally, I really want see. WARNING: the words Oscar-winner and Oscar-nominee are going to be used a lot in this list.

15. Nebraska (Nov. 22)


The ONLY reason this is so low is because I haven't seen more than this cleverly written two-minute clip. However, Director Alexander Payne has helmed five films, and the last four of them have managed to gain at least one nomination, Payne winning two of them for writing. Though, he didn't write this one, it's hard to imagine he would just pick any script to direct, and the Buzz from Cannes is tremendous. Lead actor Bruce Dern even won best actor. Let the Oscar buzz begin!

14. Dallas Buyers Club (Dec. 6)



This film is rife with Oscar potential! Terminal illness (see: "Philadelphia"), the little guy taking on the health care system (see: "Sicko"), an actor losing a ton of weight for a role (see: "The Fighter"), Jared Leto as a cross dresser... ok, that one is new. Nonetheless, this is "based on a true story", and that usually helps in the Oscar area. Then again it was co-written by one of the writers of "Mirror Mirror", so we'll see.

13. The Fifth Estate (Oct. 11)


Speaking of biopics, here is one that will probably wind up being largely controversial. While some the real life Julian Assange to be a hero, others consider him a major villain. So, whichever side this movie takes, or seems to, there is going to be some backlash. However, I expect great things from Oscar-winning director Bill Condon ("Gods and Monsters") and Hollywood's newest sweetheart Benedict Cumberbatch (who should get his first Oscar nod this year.

12. The Book Thief (Nov. 15)


Honestly, this film could be utter schlock, but this trailer at least gives me some hope. BAFTA and Emmy-winner Brian Percival ("Downton Abbey") directs a script from screen writer Michael Petroni ("The Dangerous Lives of Alter Boys"), based off of the best-selling novel by Markus Zusak. I haven't read this book, but with subject matter like Nazis and book-burning, it at least seems like it could rise above the schlock of films based off of young adult novels ("Mortal Instruments", "Beautiful Creatures"). However, "The Boy in Striped Pajamas" and "Jakob the Liar" were a couple of misguided Holocaust films aimed at younger audiences.

11. Her (Dec. 20)


Oscar-nominated director Spike Jonze ("Being John Malkovich") has directed three of my all-time favorite films, and is hopefully looking to do it again with an off-beat romantic comedy about a writer (Oscar-nominee Joaquin Phoenix) falling in love with his new operating system (voiced by Scarlett Johansson). This would be higher, but this is first time writing a feature on his own, and I am a little standoffish about that. We'll get to see if he is as good on paper as he is behind the camera.

10. August: Osage County (Dec. 27)


Director John Wells has won six Primetime Emmy Awards, and only has one feature-length film under his belt. However, I love the play that this film is based on, and there are more than a few names in this cast that I am excited to see play these roles (is that Benedict Cumberbatch again?!). I am a little sad to see Meryl Streep playing the monstrous lead in this film. I think it shows a lack of imagination from Hollywood (SURPRISE!), and is one of the few reasons this is so low on the list.

9. Gravity (Oct. 4)


I have been a fan of Alfonso Cuaron from the first time I saw his Oscar-nominated coming-of-age film "Y Tu Mama Tambien" (Original Screenplay). Here he enlists Oscar-winners George Clooney ("Syriana") and Sandra Bullock ("The Blind Side"... YAWN!) to play a couple of astronauts adrift in space after an accident. The early buzz has been overwhelming, and Cuaron's last feature, "Children of Men", is so haunting and perfect, that it's hard to imagine that we've waited seven years for anything less.

8. All is Lost (Oct. 18)


The only name in this cast list for this tale of survival-at-sea is Robert Redford (Oscar winner - "Ordinary People"). That is it. Oscar-nominated writer/director J.C. Chandor ("Margin Call") is taking to the deep blue sea to put an entire film on the shoulders of one of the most capable actors in the history of film. If this is near as lonely and full of despair as "Open Water", one of my favorite survival films, I think we may be in for a real treat.

7. 12 Years a Slave (Oct. 18)


Director Steve McQueen may not have an Oscar nomination yet, but his first two features, "Hunger" and "Shame", were both nominated for BAFTA's. He has also employed a cast that is awards fodder from top to bottom for this film about a free man who is captured and turned into a slave, including his lead, Chiwetel Ejiofor, who has been nominated for three Golden Globes. I think it might be time for them all to get a boost come this awards season. OH! And there's Benedict Cumberbatch again!

6. Captain Phillips (Oct. 11)


Two-time Oscar-winner Tom Hanks ("Philadelphia", "Forrest Gump") is playing the kidnapped captain of a shipping freighter in this Paul Greengrass (Oscar nominee for "United 93") helmed picture. This story is based on real events worked out well for Greengrass the last time, so I hope for good results this time.

5. American Hustle (Dec. 13 - limited, Dec. 25 - Wide)


Merry Christmas! We're getting a new film from Oscar-nominated director ("Silver Linings Playbook", "The Fighter") and writer ("Silver Linings Playbook" again) David O. Russell. This time he is setting his sights on a fictionalization of the FBI Abscam Operation. He has also stacked the deck with a core of actors that have all been nominated (Bradley Cooper, Robert De Niro, Amy Adams) or won (Christian Bale, Jennifer Lawrence) for acting in his previous films. It's hard to see where this is going to go wrong.

4. The Monuments Men (Dec. 20)


In the past eleven years George Clooney has directed four fantastic films (I like "Leatherheads", so shut up!), and has been nominated for two of them (Director/Screenplay - "Good Night, and Good Luck" and Screenplay - "Ides of March"), and he has also won a Best Picture Oscar for producing "Argo. So when I see he is doing a war dramedy based off of a true story with an ensemble cast that has plenty of wins and nominations between them, it's hard to not want to see it.

3. The Counselor (Oct. 25)


Let me get this straight: Oscar-nominee Ridley Scott ("Thelma & Louise", "Gladiator", "Black Hawk Down") is directing a film written by Pulitzer Prize winner Cormac MacCarthy, whose book "No Country For Old Men" was the basis of a Best Picture winner of the same name, and it features a cast including Brad Pitt, Michael Fassbender, Javier Bardem, Penelope Cruz, and Dean Norris. I hope this crime thriller ends up in my top ten of the year.

2. The Wolf of Wall Street (Nov. 15)


If you say the name Martin Scorsese (Oscar-Winner "The Departed"), I try to figure out the fastest way to give him my money. Put Leonardo DiCaprio (Oscar-nominee "The Aviator") in that film, the money almost falls out of my pocket. It also seems the script is being handled by Emmy-Winning Sopranos writer and creator of "Boardwalk Empire", Terence Winter. This sounds like a true winner, guys.

1. Inside Llewyn Davis (Dec. 6)


I feel like all I need to say is, "The new film from the Coen Brothers!" to justify why this is my number one. So... THE NEW FILM FROM THE COEN BROTHERS!!!

Honorable Mentions:

Rush (Sept. 27) - Thor and the German Sniper from "Inglorious Basterds" race against each while Oscar-Winner Opie Taylor directs.

Don Jon (Sept. 27) - Joseph Gordon-Levitt writes and directs himself in a film where he watches porn instead of having sex with Scarlet Johansson.

Machete Kills (Oct. 11) - I have a strong feeling that this will get at least one nomination... Why are you laughing?

Mandela: Long Walk to Freedom (Nov. 29) - This looks like a good biopic, but the trailer didn't really pique my curiosity. Probably because Morgan Freeman isn't in it.

Out of the Furnace (Dec. 6) - The previous Batman plays a man who is looking for his down-on-his-luck boxer brother, played by the actual brother of the new Batman.

Saving Mister Banks (Dec. 20) - It's a movie about Mary Poppins starring Emma Thompson as P.L. Travers and Tom Hanks as Walt Disney. However, the guy who directed "The Blind Side" is doing it. YAWN!

The Secret Life of Walter Mitty (Dec. 27) - Ben Stiller is directing: YAY! Ben Stiller is starring: He directs himself pretty well, I guess.

Battle of the Year (2013)

"Battle" positions
There is a scene at the beginning of "Battle of the Year" in which Josh Peck, one of my favorite young actors, walks into an office and his boss, and his secretary, can't remember his character's name. This sums up "Battle of the Year" perfectly. It is an instantly forgettable, run-of-the-mill piece of film making that will live on in the hearts of only the people who it truly aims to please. Whoever they may be, because I can't honestly see anybody really loving this film. Liking, maybe. The performances are bland, the dialogue is stale, and the twist, when Chris Brown breaks his leg (oops, I gave it away) is forced and contrived. Though some of the dancing was cool, and very well shot. All in all, this is an early year throwaway that somehow made it to a post-summer slot.

Grade: D
3D: I'm sure it doesn't help
Easter Egg: Dancing throughout the credits.


Starring: Josh Holloway, Laz Alonso, Josh Peck
Director: Benson Lee
Writer(s): Brin Hill and Chris Parker - Original Documentary: Benson Lee
RT: 110 min
Rating: PG-13 for language and some rude behavior 

Monday, September 9, 2013

The Butler (2013)


Lee Daniels' "The Butler", the follow-up to his breakthrough hit "Precious", is a well written and finely acted film. Danny Strong script is a wonderful exploration of a torrid history, and the rift it causes between a father and son. Though it has some minor pacing issues, it tends to flow through most scenes with ease, with earnest dialogue that gives this A-list cast plenty to work with. Forest Whitaker gives what may be his finest performance to date,  believably embodying a man through over 40 years of history. The supporting cast holds up so well against him that it would be a shame to not see a SAG nomination for them. Oprah Winfrey shines as Whitaker's wife, and Cuba Gooding, Jr. gives his best performance since... I don't know when. I would also like to compliment the make-up for this film. Debra Denson's make-up design is spectacular. Between aging the cast or making John Cusack look like Richard Nixon, it really helps the film in tremendous ways.

Grade: B+
Easter Egg: No
3D: N/A


Starring: Forest Whitaker, Oprah Winfrey, John Cusack
Director: Lee Daniels
Writer(s): Danny Strong - Article: Wil Haygood
RT: 132 min
Rating: PG-13 for some violence and disturbing images, language, sexual material, thematic elements and smoking

Saturday, September 7, 2013

The World's End (2013)


There are so few things wrong with Edgar Wright and Simon Pegg's newest offering, that I'm wondering if I have become fanboy blind, or they are really just that good. (Hint: I'm leaning towards the latter.) Their fervent style, and ability to mash genres without a trace of irony, makes everything they do top-notch entertainment for just about anybody. They have so far been able to make the perfect zombie film, the perfect action film, and now the perfect sci-fi film.

The cast has such an amazing depth of talent that absolutely no role seems to be wasted. Simon Pegg is pitch perfect as a hard drinking, hard partying burn-out stuck in the past, while Nick Frost is excellent as his counterpart who wants nothing to do with him, or their past. Eddie Marsan playing Peter, the meek runt of the group, gives a vivid performance. Especially when he isn't noticed by the man who used to bully him in high school. In fact, like most great sci-fi, "The World's End" is a beautiful look at the human condition, and how we cherish our individuality and our flaws.

Grade: A
3D: N/A
Easter Egg: No


Starring: Simon Pegg, Nick Frost, Paddy Consindine
Director: Edgar Wright
Writer(s): Simon Pegg & Edgar Wright
RT:
Rating:

Wednesday, September 4, 2013

Pain & Gain (2013)

I couldn't help it... I went with the 'splosion picture!
I'm glad to see that Michael Bay didn't disappoint me by accidentally making a good movie. "Pain & Gain" was certainly not his worst film ("Transformers 2: Revenge of the Fallen"), but it is plenty awful. The frantic pacing, bad writing, and tries-to-hard cinematography are just a few of the problems with this mess of a film. The performances are played off as tongue-in-cheek, but that hardly seems appropriate for a "true story" about some insanely twisted people who are made very light in this film. And despite all of his efforts, Dwayne Johnson, who is absolutely the best part about this horrific piece, can't save "Pain & Gain" from its own clumsiness or stupidity. This is a film that is truly as dumb as the characters it tries to sell you on.

Grade: F
3D: N/A
Easter Egg: No, but I was really hoping for a gag reel.


Starring: Mark Wahlberg, Dwayne Johnson, Anthony Mackie
Director: Michael  "Explosions" Bay
Writer(s): Christopher Marcus & Stephen McFeely - Articles - Peter Collins
RT: 129 min
Rating: R for bloody violence, crude sexual content, nudity, language throughout and drug use